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Travel Writing Project

Two Autumns

Two Autumns is a series of essays about traveling in New Zealand and Japan in 2018. An ongoing project, these essays capture the spirit of early twenty-first-century backpacking culture while excavating the past through old photos and books, exploring themes in travel, nature, conservation, memory, and identity.

Photo of an autumn day in Daitoku-ji in Kyoto, Japan. Photo by Mellisa Pascale.

Kyoto, Japan

"City of Leaves"

The Common Online

 

"And so putting memories into words becomes another form of loss. In trying to preserve what we know, we forfeit the beloved, fragile myth."

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Arthur's Pass, New Zealand

"Kea Call"

Paperbark (on hiatus as of 2024)

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"I’d thought it would feel light to move around with nothing but a backpack, liberating to follow my own agenda, but instead I found myself searching for something solid to grasp onto, like a clear path into the clouds."

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Bronze Award in the Animal Encounter category of the 18th Annual Solas Awards for Best Travel Writing

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Photo of the kea, which is an alpine parrot, on a rooftop in Arthur's Pass, New Zealand. Photo by Mellisa Pascale.
Photo of Bilbo's home from the Hobbiton movie set in Matamata, New Zealand. Photo by Mellisa Pascale.

Los Angeles, California, and Auckland, New Zealand

"To Auckland"

TulipTree Review 9​

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"What would I see when the sun came up? Now that I had finally left, who would I be?"

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Honorable mention in TulipTree's 2021 Wild Women writing contest

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Routeburn Track, New Zealand, and Kyoto, Japan

"Routeburn"

Unpublished​

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"In a world that favors those with the sharpest teeth, retreat can be a wild, hopeful thing."

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This essay was long-listed for the 2021 Fish Publishing Short Memoir Prize. It is currently being revised. 

Photo of Lake Harris on Routeburn Track, New Zealand. Photo by Mellisa Pascale.

Images on this page: Daitoku-ji in Kyoto, Japan; the kea, in Arthur's Pass New Zealand; Hobbiton movie set in Matamata, New Zealand; Harris Saddle on Routeburn Track, New Zealand. All images are my own and cannot be used without my express permission.

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© 2025 by Mellisa Pascale

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